Jagjit Singh Hey Ram Hey Ram Lyrics

Hey Ram, Hey Ram, Jag Mein Sachu Tera Naam, Tu Hi Mata, Tu Hi Pita Hai, Tu Hi To Hai Radha Ka Shyam, Hey Ram, Hey Ram, Hey Ram, Hey Ram, Tu Antaryami, Sabka Swami, Tere Charno Mein Charo Dham, Hey Ram, Hey Ram, Hey Ram, Hey Ram, Tu Hi Bigade, Tu Hi Saware, Is Jaag Ke Sare Kaam, Hey Ram, Hey Ram, Hey Ram, Hey Ram, Tu Hi Jagra Data Vishv Vidhata, Tu Hi Subah, Tu Hi Shaam Hey Ram, Hey Ram, Hey Ram, Hey Ram…

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Om Namo Bhagavate Vasudevaya Mantra.
Get relaxing harmony of Your mind and body.
This twelve syllable mantra is known as a Mukti (liberation) mantra and a spiritual formula for attaining freedom.

Om namo bhagavate vasudevaya is known as a Mukti, or liberation, Mantra. It is a potent spiritual formula for attaining freedom. Consistent use of this mantra will eventually, even if over many incarnations, free us from the cycles of rebirth. In this way it mitigates Karma so we are free to make true choices in our lives. True choices, not simply reacting to desire and aversion.

Om is a seed sound for the sixth, or brow, chakra and is the name of the state of existence in which the Indweller (jiva, atman, or soul) has united with the spirit of the all-pervading consciousness.

‘Om Namo Bhagavate Vasudevaya’ is a mantra of Bhagavan Sri Krishna. It means literally: “Prostration to Bhagavan Vasudeva.” ‘Surrender to Sri Vasudeva’ is implied therein. Now, the prostration, salutation, is an external symbol of the internal union. When we do namaskara to a deity in the temple, to a friend or any person, we join both the palms and bend ourselves low. This namaskara, and the joining of the palms are indicative of the feeling of­ union of oneself with the other. “I and you are one” — that is prostration, that is namaskara. “Bhagavan Vasudeva, I am one with you” is a spirit of surrender, and here begins meditation on Bhagavan Vasudeva. When this mantra is chanted you have also created the requisite atmosphere in the mind for contemplation on Bhagavan Vasudeva, to begin meditation and to feel His presence. This rule applies to all other mantras, also.

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The film opens in Dev Lok a Hindu heaven located above the clouds, where we witness the “birth” of Santoshi Ma as the daughter of Ganesha, the elephant headed god of good beginnings, and his two wives Riddhi and Siddhi. A key role is played by the immortal sage Narada, a devotee of Vishnu, and a cosmic busybody who regularly intervenes to advance the film’s two parallel plots, which concern both human beings and gods. We soon meet the maiden Satyavati, Santoshi Ma’s greatest earthly devotee, leading a group of women in an aarti to the goddess. Through the Mother’s grace, Satyavati soon meets, falls in love with, and manages to marry the handsome lad Birju, youngest of seven brothers in a prosperous farmer family, an artistic flute-playing type who can also render a zippy bhajan on request. Alas, with the boy come the in-laws, and two of Birju’s six sisters-in-law, Durga and Maya are jealous shrews who have it in for him and Satyavati from the beginning. To make matters worse, Narada stirs up the jealousy of three senior goddesses, Lakshmi, Parvati, and Brahmani the wives of the “Hindu trinity” of Vishnu, Shiva, and Brahma against the “upstart” goddess Santoshi Ma. They decide to examine her perseverance by making life miserable for her chief devotee. After a fight with his relatives, Birju leaves home to seek his fortune, narrowly escaping a watery grave through his wife’s devotion to Santoshi Ma. Nevertheless, the divine ladies convince his family that he is indeed dead, adding the stigma of widowhood to Satyavati’s other woes. Her sisters-in-law treat her like a slave, beat and starve her, and a local rogue attempts to rape her; Santoshi Ma, taking a human form, rescues her several times. Eventually Satyavati is driven to attempt suicide, but is stopped by Narada, who tells her about the sixteen-Fridays fast in honor of Santoshi Ma, which can grant any wish. Satyavati completes it with great difficulty and more divine assistance, and just in the nick of time: for the now-prosperous Birju, stricken with amnesia by the angry goddesses and living in a distant place, has fallen in love with a rich merchant’s daughter. Through Santoshi Ma’s grace, he gets his memory back and returns home laden with wealth. When he discovers the awful treatment given to his wife, he builds a palatial home for the two of them, complete with an in-house temple to the Mother. Satyavati plans a grand ceremony of udyapan and invites her in-laws. But the nasty celestials and sadistic sisters-in-law make a last-ditch effort to ruin her by squeezing lime juice into one of the dishes. All hell breaks loose civil war between goddesses before peace is finally restored, on earth as it is in heaven, and a new deity is triumphantly welcomed to the pantheon.

Click on duration to play any song
Gulaal Varyavarti Udato 00:00
Chunuk Chunu Vaaje 06:02
Kapali Chand Shobhatoy 11:26
Parvatichya Bala Tujha Mahimamodak 16:02
Sohala Ganpaticha 28:01
Tara Ra Ra Tasha 32:05
Aala Ghari Pahuna 36:00

songs: Gulaal Varyavarti Udato
Chunuk Chunu Vaaje
Modak Laadu Aana Ki Lavkar
Singer: Anand Shinde
Composer: Nandu Honap
Lyricist: Sagar Pawar

Song: Parvatichya Bala Tujha Mahima
Singer: Anand Shinde
Composer: NITIN MORAJKAR
Lyricist: Sagar Pawar

Song: Chunuk Chunu Vaaje
Singer: Milind Shinde,Neha Rajpal
Composer: NITIN MORAJKAR
Lyricist: Sagar Pawar

Song: Kapali Chand Shobhatoy
Singer: Milind Shinde
Composer: NITIN MORAJKAR
Lyricist: Sagar Pawar

Song: Sohala Ganpaticha
Singer: Milind Shinde,Neha Rajpal
Composer: NANDU HONAP
Lyricist: Sagar Pawar

Song: Tara Ra Ra Tasha
Singer: Adarsh Shinde
Composer: NANDU HONAP
Lyricist: Sagar Pawar

Song: Aala Ghari Pahuna
Singer: Adarsh Shinde
Composer: NITIN MORAJKAR
Lyricist: Sagar Pawar
Music Label: T-Series

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Morning Aarti Of Shree Ganesh | Jai Ganesh Deva Arti

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